Coro 3.41
I’m making a video for our OCSL page at the moment. I’ve got some music. Just some throbbing groove to go under the speaker. Something that sort of propels the piece but doesn’t take away from the attention on the speaker. It’s like a character in a play. He can’t upstage the lead. I like this process and am having huge respect for the guys that do this stuff.
It’s funny. Usually film scores are not considered great art. At least in the dance world, you don’t want to pick a film score to choreograph your piece to. It’s considered sort of hack. I’m not sure why. Maybe because when one sees a movie, the movie should be a whole experience. If you start cutting it up and analyzing, you’ll naturally have to cut up the score and then you’ll see the score is really only there to push the film. Without the film, the music is probably not very rich on its own. There are some exceptions but even in those cases the music doesn’t stand like high classical music. It really is there to serve the picture as a whole.
I don’t know. I’m just writing. You know keeping the habit up. Anyhow, I’m making some music and am just happy to be doing the work I’m doing. Learning the process. Adding my own little voice to the chorus of healers coming from my organization. I’m calling this piece Coro 3.41. I have no idea why. It’s something I made even if it’s no big deal. Kind of funny. The photo is one I’ve been looking for all day only to find it online from a simple image search.
from an image search "OCSL"
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